“No one told her you can’t be 35 forever.” That meant attire modeled after TV news anchors who, Streep said, “tend to pick these broad swaths of bright, happy colors to put on themselves - no prints, no polka dots or plaids or, God forbid, florals. Streep had a hand in devising Orlean’s fashion sensibility, which she said communicated something essential about the character: “So what if she’s 70 years old and dresses like she’s 35?” she explained. Another inspiration was the finance expert Suze Orman, whom McKay described as “a brash populist with a strong fashion statement.” Bush, the slick polish of Bill Clinton, the celebrity of Barack Obama and the coziness with big money,” McKay said. That meant “the self-serving con man aspects of the last president, the dangerous inexperience of George W. McKay said he thought of President Orlean as “a goulash” of recent chief executives. McKay said that in naming the character, he was thinking of New Orleans - “It’s a fun city, but it’s kind of in jeopardy” - and not the fact that Streep played the author Susan Orlean in “Adaptation.” (The notion that he manifested Streep in the role by naming it for her, McKay said, is “definitely not the case.”) Draw on real-life inspiration. She had no real agenda except to have and retain power, and when she got there, she just realized that the job was pretty easy.” “You could imagine a group of various miscreants was pulled together, and she was the least bad of a lot of other candidates that they could have put out there,” Streep said, adding that she thought of Orlean “as someone whose elderly husband had a lot of money, and she got rid of him, and it was in California so she got half. Create a back story.īased on what she’d read in McKay’s screenplay, Streep said she was already envisioning how President Orlean could have won office. Here, Streep and McKay explained the steps they followed to put President Orlean in the Oval Office. The president is also a character whose many faults and shortcomings Streep delighted in bringing to life, and she credits McKay for giving her and her co-stars the latitude to indulge in awfulness.Īs Streep explained in a recent phone interview, “He never lost heart or confidence in this vision that he had for this thing, which was to make an atmosphere as free as possible for everybody - just go nuts and do what you want. Orlean is one of several malefactors in “Don’t Look Up,” a social satire that McKay wrote about climate change but that he fully expects will be interpreted as a commentary on the pandemic. 24) is that Orlean is played by Streep, the venerated film and TV star the bad news (for humanity) is that Orlean is a self-centered scoundrel who cares a great deal about her public image but little to nothing about running the country. The good news (for the movie, which will reach theaters on Dec. In “Don’t Look Up,” from the writer-director Adam McKay (“The Big Short,” “Vice”), two scientists played by Leonardo DiCaprio and Jennifer Lawrence find themselves facing this end-of-the-world scenario and must turn to a United States government led by the fictional President Orlean for assistance. You can download all the synth presets on this page at the end of the article.Who would you turn to if you learned a comet was on a collision course with Earth and decisive action was required to prevent the extinction of all life on this planet? If your first thought was Meryl Streep, you have made both an excellent and terrible choice. For this article, I’ll recreate the Neon Indian synth sound using the software synths u-he Repro, TAL U-NO-LX, and TAL Bassline-101, which is an emulation of the SH-101. Synths are such a big part of the Neon Indian sound that a deluxe edition of an album came with a tiny, portable analog synthesizer. Around the recording of Era Extraña Palomo was using a Korg MS-20, the Roland SH-101, and the Voyetra-8, a rack-mounted analog synthesizer with powerful digital controls. Palomo is an avid synth enthusiast and has an eccentric collection of hardware synthesizers. In a follow-up to this article, I’ll continue by looking at tracks from 2015’s Vega Intl. In this article, I’ll concentrate on earlier Neon Indian tracks, in particular, two of my favourite tracks from Era Extraña, which Palomo recorded in Helsinki, Finland. Palomo has released three albums under the moniker, each growing with maturity and intricacy, and a fourth album is in the works. Neon Indian is the project of Alan Palomo, an important artist in early chillwave music.
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